Taking your business
to the next level
Innovative media solutions to help your business thrive.
Step by
Step
01
Reach out for Quote
Easy to communicate with. Shoot me an email or give me a call.
02
Send me the details
What do you need captured. Where is the location and any other details.
03
No Mystery Pricing
No Mystery Pricing. No Phone Tag. Here’s Exactly What You Get & What It Costs. Ready To Fly & Ready To Capture Your Moment.
Every size. Any industry. Media that moves the needle.
Our Services:
Photography & Videography
Droneography
FPV Cinematic Drone Video
Rebranding & Marketing
Construction Progress Documentation
Aerial Roof & Building Inspections
Serving all of Connecticut and New England.
Farmington Valley: Avon, Barkhamsted, Burlington, Canton, Collinsville, East Granby, Farmington, Granby, Hartland, New Hartford, Simsbury, Unionville
Greater Hartford: Bristol, East Hartford, Hartford, Manchester, Middletown, New Britain, West Hartford
Fairfield County: Bridgeport, Danbury, Greenwich, Norwalk, Stamford
New Haven & the Shoreline: Meriden, Milford, New Haven, West Haven
Naugatuck Valley & Northwest Hills: Torrington, Waterbury, Winsted
Southeastern Connecticut: Groton, New London, Norwich
Our Approach
No two projects are the same, so I don't show up with a one-size-fits-all package. Before a shoot, I get to know what you're after. That might be a listing that needs to sell, a job site owners want to follow week by week, a reopening you want the town to notice, or an event you'll want to relive. Then I plan every shot, angle, and flight around that goal.
That's where having several tools in the bag matters. Some projects call for a high, sweeping aerial that shows the whole property. Others need an FPV drone flying through the front door and out over the grounds in one continuous shot. Sometimes the best shot is a ground-level photo of your team at work. I mix aerial, FPV, and ground-level coverage in whatever combination tells your story best. You get one operator and one invoice.
Events get the same attention. I work around the schedule, the crowd, and the setting, whether that's a Farmington Valley festival, a wedding at a New England venue, or a grand opening on Main Street. The result is coverage built for your project, not pulled from a template.
Why Us?
INNOVATIVE & CREATIVE
My path to this work wasn’t a straight line. I co-owned a record label. I worked in radio at the Rock 106.9 WCCC. I spent years in technology, and then I moved into construction tech, on active job sites. All of it shows up in how I work today.
The label taught me that a story has to land. Radio taught me timing and how to hold an audience. Tech taught me to learn new tools fast. Construction taught me to plan around a schedule and deliver what the people on site actually need.
That’s why I don’t show up with one angle and call it done. Some shots come from 400 feet up. Some come from an FPV drone threading through a building frame. Some are ground-level shots with the Sony. I plan every flight around the story you need to tell, whether that’s a new build, a reopening, or a property that has to stand out in a crowded Connecticut market.
Experience
I have more than 1,000 flight hours and over 20 years in technology and media. A lot of that time was spent on construction sites, so I know how a job site runs. I know the schedules, the safety rules, and what a project manager actually needs from a photo. I’m licensed under FAA Part 107 and trained under OSHA 30. You get someone who shows up prepared and gets it right the first time.
Professional
Team
Larger projects call for more hands. For those, I bring in a small group of trusted local creatives I’ve worked with before. I still run every shoot and stay your single point of contact. Every person on site meets the same standards I hold myself to.
Data-Driven
Good visuals should answer questions, not just look nice. Construction progress documentation gives stakeholders a dated visual record of every phase, from groundbreaking to topping out. Thermal imaging finds problems in roofs and building envelopes that you can’t see with your eyes. My decisions come from what the footage needs to prove, not guesswork.